Reflections on making theater, and my family reacting to it.
What does it mean to be a person – to have a body, and live in it – to make choices, and change over time – to tell the truth?
Veering between reality and simulation, Celebration, Florida orbits around ideas of surrogacy; a stand-in to replace a person you miss, a re-creation of an experience you can’t stop thinking about, nostalgia for a place that perhaps never existed.
Script for My Body, My Gender rogue Vagina Monologue.
I was invited to perform a Vagina Monologue, and ended up writing my own.
A family struggles to find humanity and normalcy in a world made uncertain and strange after the transformation and “othering” of one of their own. This physical theatre piece imagines what happens on the other side of the iconic door in Kafka’s Metamorphosis.
A queer adaptation of the classic novel
We are not here to flatter egotism, or prop up humbug; we are merely telling the [queer] story. We value what is good in the book; but we believe in the existence of other, and more vivid kinds of goodness.
A night of classic horror theater by Pandemic Collective, underscored with original live music by Teacup Gorilla.
Award-winning stage adaptation of Riding SideSaddle*, weaving myth with everyday ritual
Try to locate the moon. Look longingly at the sky. Talk to others. Don’t lose track of where you are. This is the invitation from the Warbler to the other canyon inhabitants of the audience.
An artist residency at the Media Archeology Lab, working on development of The Post-Obsolete Book.
An archival rhizome ecology in ten parts, and a reflection on the obsolescence of obsolescence – documented on the cloud, and open-sourced as a defense against post-post-obsolescence.
A modern, theatrical interpretation of the Catholic Mass – created by Grapefruit Lab and Teacup Gorilla.
Combining the sacrifice, transcendence, blood, and circumstance of the Catholic Mass with history, live music, science, dance, literature, and pop culture to find a wholly modern communion experience. What we have left is our selves, broken and battered, but surviving together.
Part science lab, part disco, Roller Skating With My Cousin is a lively, dark romp in which synchronized roller skaters build a tower under a star-flecked mirror ball sky.
She is a plain and pensive woman. He is a rather ordinary man who lives in an extraordinary house. This house does algebraic equations and plots violence. One evening, woman, man, and house collide; not all of them survive.
Grapefruit is a hybrid of lemon and orange. Snow is hybrid of wish and lament.
The citizens are easily roused and swayed, as a culture of fear infects the city with the constant threat of execution.
Inspired by Georg Büchner’s unfinished masterpiece, Woyzeck, The LIDA Project reinterprets the story of a young soldier returning from the horrors of war.
We created this site-specific and interactive performance as an opening act for the Dresden Dolls – performed in the lobby.
A parable play and fantastic spectacle, warning of the dangers of a desperate populace handing over power to a corrupt leader.
Founded in 1995, The LIDA Project is a meta-media art collective dedicated to experimental live performance.
Rachel Corrie (April 10, 1979 – March 16, 2003) was an American member of the International Solidarity Movement (ISM) who traveled to the Gaza Strip during the Al-Aqsa Intifada. She was killed when she tried to obstruct a Caterpillar D9 armored bulldozer o perated by the Israel Defense Forces (IDF.)
Countdown to Zero is a political theatre collective established in 2007 by Brian Freeland & Julie Rada. The collective has committed to a series of 10 theatrical works (10 counting down to zero) at which time the collective will disband.
An action comedy for the stage, based on our favorite movie tropes. The script was devised by the entire ensemble, lead by Michelle Milne, Miriam, Emily Swora, and Ben Jacobs. I don’t believe this is the final script…
A live action comedy, inspired by the movies, and created by our ensemble.
A sister and brother dig through the rubble of their lives…
OCD and love produce the same chemical in the brain…
We hurt ourselves for love…
It’s not a great script, but it was my full-length directorial debut.
My first one-act play…
a play in one act, and a short film
Reflections of a Mennonite holocaust survivor after the war
Based on a series of interviews with Annie in 2003, this play was produced first by Goshen College as a runner-up for the International Peace Play Contest, and then in collabiration with New World Arts for my senior thesis production.
a ten minute play, and short film
I wrote this at the start of the Iraq war (2003), and later made the short film. It’s been on my mind again during COVID-19 isolation.
a glimpse of the aftermath
A glittering tragedy, a passionate romance, and an internship opportunity.
I worked on Antony & Cleopatra with Penny Metropulos and the wonderful OSF ensemble, as a Stage Management Intern. I also got to work with the lighting & electrical department while I was there.
Some brutal Sam Sheppard…
I worked as Master Electrician of the college theater and music performance venues, while I studied theater, writing, and visual art.
The play by Wendy MacLeod.
My first foray into professional theater, as a lighting designer for New World Arts. And then, years later, as a director.
Founded in 1998 as New World Players, we produced original & alternative ensemble theater for over a decade – along with an art gallery and event space.