Just art and Nothing Else

She was a beautiful force in my life, slipping into French to tell dirty jokes over a glass of wine. This is a play based on interviews in 2003, reflecting on her childhood in a time of war.

designing software for humans, with other humans

A queer novel, in fragments of memory…

Art installation featuring a mix of pieces from Riding SideSaddle*, PROPHETIA VETITUM MUNDI, Gods on the Lam, and elsewhere. I also put together an original diptych for this show.

designing software for humans, with other humans

designing software for humans, with other humans

trans-femme 90’s-alt sad-girl rock

dark indie-rock soundscapes with evocative poetry

unofficial, autobiographical, trans-femme monologue

designing software for humans, with other humans

lively debates of the inconsequential

an un-rehearsed play by Greg Wohead

Script for My Body, My Gender rogue Vagina Monologue.

unofficial, autobiographical, trans-femme monologue

A family struggles to find humanity and normalcy in a world made uncertain and strange after the transformation and “othering” of one of their own. This physical theatre piece imagines what happens on the other side of the iconic door in Kafka’s Metamorphosis.

lively debates of the inconsequential

designing software for humans, with other humans

designing software for humans, with other humans

designing software for humans, with other humans

A queer adaptation of the classic novel

We are not here to flatter egotism, or prop up humbug; we are merely telling the [queer] story. We value what is good in the book; but we believe in the existence of other, and more vivid kinds of goodness.

lively debates of the inconsequential

by Christopher David Rosales

A queer novel, in fragments of memory…

lively debates of the inconsequential

The Denver Quarterly vol 51 no 2 features side-by-side excerpts from Riding SideSaddle*, and Buntport’s adaptation: 10 Myths on the Proper Application of Beauty Products.

Award-winning stage adaptation of Riding SideSaddle* weaving myth with everyday ritual

It’s been a month since our country pseudo-elected a bigoted blow-hard for president. I’m heading to DC to protest his inauguration in January, visit friends, and go on a mixed-media resistance tour…

dark indie-rock soundscapes with evocative poetry

dark indie-rock soundscapes with evocative poetry

a site-specific performance in the Utah desert

Award-winning stage adaptation of Riding SideSaddle*, weaving myth with everyday ritual

A queer novel, in fragments of memory…

A stage adaptation of my novel, Riding SideSaddle*, created with Buntport Theater and Teacup Gorilla.

This interview serves as a follow up to my performance of The Obsolete Book in a Post-Obsolete World as Represented by a Post-Obsolete Book About Dance at the Media Archeology Lab.

designing software for humans, with other humans

a site-specific performance in the Utah desert

A queer novel, in fragments of memory…

dark indie-rock soundscapes with evocative poetry

Teacup Gorilla’s debut album

An interview with the insightful Ryo Yamaguchi at Michigan Quarterly Review.

A fragmented memory of friendship – navigating fluid genders, relationships, and bodies that resist order, category, or completion. Inspired by Margaret Clap, and the many myths of Hermaphroditus.

A queer novel, in fragments of memory…

Story panels for PROPHETIA VETITUM MUNDI (available as prints)

in a Post-Obsolete World, as Represented by a Post-Obsolete Book About Dance

dark indie-rock soundscapes with evocative poetry

indie roots-rock featuring Rachel Eisenstat

in a Post-Obsolete World, as Represented by a Post-Obsolete Book About Dance

in a Post-Obsolete World, as Represented by a Post-Obsolete Book About Dance

An artist residency at the Media Archeology Lab, working on development of The Post-Obsolete Book.

in a Post-Obsolete World, as Represented by a Post-Obsolete Book About Dance

in a Post-Obsolete World, as Represented by a Post-Obsolete Book About Dance

Part 7 of Fuck the Muse

dark indie-rock soundscapes with evocative poetry

Part 6 of Fuck the Muse

Part 5 of Fuck the Muse

by James Belflower

Part 4 of Fuck the Muse

Part 3 of Fuck the Muse

Part 2 of Fuck the Muse

a series of articles on creative process

interview with Richard Wall of the Boulder Writers’ Workshop

in a Post-Obsolete World, as Represented by a Post-Obsolete Book About Dance

in a Post-Obsolete World, as Represented by a Post-Obsolete Book About Dance

An archival rhizome ecology in ten parts, and a reflection on the obsolescence of obsolescence – documented on the cloud, and open-sourced as a defense against post-post-obsolescence.

I studied these things

A novel about new love, moving apart, and what comes next. A love story, and an after-love story – told wiith poetry and pictures.

Rachel’s powerful vocals combine her Appalachian roots with a hard-rocking force. Mixed with the indie, post-rock-inspired experimentations of the band, they create a layered sound that aims for the gut and head.

indie roots-rock featuring Rachel Eisenstat

A modern, theatrical interpretation of the Catholic Mass – created by Grapefruit Lab and Teacup Gorilla.

Combining the sacrifice, transcendence, blood, and circumstance of the Catholic Mass with history, live music, science, dance, literature, and pop culture to find a wholly modern communion experience. What we have left is our selves, broken and battered, but surviving together.

meta-media performance collective

multimedia performance & theater ensemble

meta-media performance collective

meta-media performance collective

meta-media performance collective

10-show political theater collective

Founded in 1995, The LIDA Project is a meta-media art collective dedicated to experimental live performance.

10-show political theater collective

Countdown to Zero is a political theatre collective established in 2007 by Brian Freeland & Julie Rada. The collective has committed to a series of 10 theatrical works (10 counting down to zero) at which time the collective will disband.

blues-inflected bright/dark music

ensemble theater and event space

ensemble theater and event space

ensemble theater and event space

ensemble theater and event space

ensemble theater and event space

What are you willing to die for? What are you willing to forgive?

What are you willing to die for? What are you willing to forgive?

ensemble theater and event space

What are you willing to die for? What are you willing to forgive?

ensemble theater and event space

Reflections of a Mennonite holocaust survivor after the war

I studied these things

ensemble theater and event space

I studied theater, writing, and visual art at Goshen College – but never took those 2 final classes required for graduation.

ensemble theater and event space

ensemble theater and event space

Founded in 1998 as New World Players, we produced original & alternative ensemble theater for over a decade – along with an art gallery and event space.