Not Clear To Me, an Installation @ Bardo Coffee House | Denver, CO
Art installation featuring a mix of pieces from Riding SideSaddle*, PROPHETIA VETITUM MUNDI, Gods on the Lam, and elsewhere. I also put together an original diptych for this show.
The editors at SpringGun Press asked me to design cover art for The Posture of Contour, a new book by James Belflower. I used the opportunity to get my mind out of an all-digital space, and spent most of my time with pen, paper, and oil pastel.
My favorite experiments involved blind contours with a capped pen over homemade (oil-pastel) carbon paper, then arrows traced on a third layer using my iPad as a light table.
In the end, James decided on the abstract jawbone pattern in red arrows.
Art installation featuring a mix of pieces from Riding SideSaddle*, PROPHETIA VETITUM MUNDI, Gods on the Lam, and elsewhere. I also put together an original diptych for this show.
Riding SideSaddle* has gone vertical – all 250 cards displayed in a gallery show.
Riding SideSaddle* has gone vertical – all 250 cards displayed in a gallery show.
Story panels for PROPHETIA VETITUM MUNDI (available as prints)